![]() Ma once again nicely adapts his warm, ebullient style to the quiet, gut-strung 1712 Stradivarius instrument (Jerry Seinfeld might call it a "low talker") he played on the earlier albums, and much of the music is both scintillating and unfamiliar. ![]() Fans of the two Simply Baroque discs Ma recorded with Ton Koopman and the Amsterdam Baroque Orchestra will find much to like in Vivaldi's Cello, featuring the same musicians and offering several Vivaldi cello concertos plus Vivaldi works arranged for cello and ensemble by Koopman. There are people who buy everything Yo-Yo Ma releases, and that's a good thing: his incessant musical curiosity and his ability to carry his audience with him constitute a true bright spot in today's classical music scene. ![]()
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